Jennifer Booth
Growing up to the anecdotes of a ‘Saggermakers
Bottomknocker’ from the Potteries of Stoke on Trent; My Grandfather,
the person closest to my heart led me to want to retain the redolence
of his memory in a none sentimental photographic manner.
The composition of the industrial
abstract forms are without context, the viewer is beguiled to map
the space, becoming involved with the facts negating sentiment.
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